| MAKI Haku, print “Collection-62" 24” x 8 ¼", numbered (84/100) and signed by the artist, Features a ceramic vase with golden leaves in the design. More information (bio) |  |
| MAKI Haku, framed print “Poem 71-70“ 10 ½” x 15”, numbered (16/153) and signed by the artist in pencil More information (inventory) |  |
| Katsushika Taito II, Woodblock print (nishiki-e), ink and color on paper, Mother and child in 2 poses (mother wearing a Tengu mask and a child sleeping with mother), a page from a well-known Japanese illustrated book Banshoku Zukō, published between approximately 1836-1838, 4" x 6" For more information |  |
| Kiyoshi Nagai, "Courtyard" Woodblock Print 14½” x 10”, numbered (252 - 107), dated ('71), and signed by the artist in pencil. For more information |  |
| SAITO Kiyoshi (1907-1997) “Bunraku Puppet (untitled-A)” framed woodblock print 15¼" x 10”, signed in pencil by the artist within the design More information |  |
| KOTOZUKA Eiichi (1906-1981), framed woodblock, "Bamboo Forest" (Bamboo series I-142,143) Circa 1950's, 17 ½" x 11 ¾", Watermark displaying Uchida Woodblock Printing Co., Ltd, Kyoto. For more information |  |
| KOTOZUKA Eiichi (1906-1981), framed woodblock, "Bamboo In The Wind" (Bamboo series I-142,143) Circa 1950's, 15 ¾" x 10 ½", Watermark displaying Uchida Woodblock Printing Co., Ltd, Kyoto. |  |
| WACO Shuji (1953-), Framed print 19” x 15 ½”, “Come Fly With Me” numbered (18/145), titled, and signed by the artist in pencil. More information |  |
| TOKURIKI Tomikichiro, (1902–1999), framed "Snow Scene at Byodoin Temple at Uji, January", This print is part of a 1939 series called "12 Months of Kyoto" or "Hanga Kyoraku Niju-Kei" (Twenty Views of Kyoto). 9½ " x 11" For more informatiion |  |
| Zhang, Jim (1957-), 15 ¾” x 11 ¾” titled ”Sunset” & numbered (1/50) and signed by the artist (print of traditional Chinese painting on rice paper) More information |  |
| Netsuke - A fine Japanese Meiji period ivory netsuke of a Noh dancer depicted wearing a kimono and brandishing a fan. The face revolves to depict the dancer without a mask, and another expression wearing a mask. This beautiful 5 cm. tall netsuke is signed on the underside and in excellent condition. See more photos |  |
| WWII Naval Officers Kyu-Gunto parade sword & leather-covered wood scabbard with original brass fixtures. The sword features a mekugi (peg for holding blade into hilt) and measures 78 cm. with a clean nickel-plated blade (without any dents, pitting or other major defects). Total length is 84 cm. On the underside of the guard is the Toyokawa Naval Arsenal inspection mark (an anchor) and below it the logo of the Tokyo-based Wakasei Seisaku Jo (a "W" in a diamond), a Japanese sword company. Included is a frayed red/brown tassel used by field-grade officer. |  Click for more photos |
| Affischerna 1967-1979 (The posters 1967-1979), Alternative Poster Art from the exhibition “Ån Sen Då” 18” x 27” mounted on board More information |  |
| Desclozeaux, Jean P, Caricaturist, Illustrator, Painter, unframed & untitled print 19 ½” x 15 ¼”, 1976, signed by the artist in pencil More information |  |
| Folon, Jean-Michel, “La Vue" unmounted poster (1970) 24” x 34 ½” More information |  |
| Obican, Jovan (of Dubrovnic), Framed Appliqué commissioned by my parents, signed by the artist, 30 ¾” x 42 ½” More information |  |
| Obican, Jovan (of Dubrovnic),framed painting 21” x 15”, signed by the artist |  |
| Rékassy, Csaba (1937-1989), "Accessories Of A Still-life" 8 ½” x 12 ½” 1975, etching on paper, signed bottom right Rékassy Cs More information |  |
| Collins, Gladys, “The Music Maker”, screenprint mounted on board 14 ½” x 19” dated (1956), titled and signed by the artist. Collins was a member of the staff during the Corita Kent era and was clearly influenced by her mentor. |  |
| Dolack, Monty, “Kyi Yo Dancer” unframed print 25” x 19”, titled, numbered ( 79/150 ), and signed by the artist in pencil More information |  |
| Dolack, Monty, glassed “Points of Interest” Litho, 31 ½” x 20 1/2”, hand-colored with pencils, titled, numbered (30/50 ) and signed by the artist More information |  |
| Dolack, Monty, Inaugural poster 22" x 26: “Suburban Refuge” signed by the artist in pen More information |  |
| Hamilton, Jeanne Ruenauver (1919-1992), Kalispell, MT, artist, "Montana Landscape On The Line" poster 12 ½" x 30", signed, numbered (3/500), and dated ( 1989 ) by the artist |  |
| Garchik, Morton (1929-2009), Framed print 8 ¾” x 8”, “Last Leaf, Last Bird” numbered ( 26/100 ) and signed by the artist. More information |  |
| Indiana,Robert, 1974 Framed Poster “Hirshhorn Smithsonian Museum Exhibition Opening” 23” x 29” More information |  |
| Ross, Marilyn, Artist Proof Litho “Jukebox at the Scoopeasy” 15 ½” x 20”, dated '74 and signed by the artist |  |
| Ross, Marilyn, unframed Litho, “Pinball”, 16: x 28”, dated '74 and signed by the artist in pencil |  |
| Singer, B, “Vietnam Documentary” 8¼” x 11”, Photo montage of Newsweek cover overlaid with text, dated (1975) and signed by artist in pencil More Information |  |
| Collins, Glenn (AKA Gene Lodi) ceramic dish with gold glaze, signed on reverse, 12 ½” dia. |  |
| Nugold 14k 12oz. cups (8 count), manufactured by Plainville Stock Company, Bristol, Massachusetts, and stamped "P. S. Co.". These items were copyrighted in 1935, are stamped "14 Kt. G.P." (gold-plated), and are stamped on the bottom with "CREME" (a possible product line name used by PSCo.) Dimensions: 5 ¼" high x 3" (at mouth) and engraved with a 1" stylized "M". See more photos |  |
| Nugold 14k 3oz. stemware (8 count), manufactured by Plainville Stock Company, Bristol, Massachusetts, and stamped "P. S. Co.". These items were copyrighted in 1935, are stamped "14 Kt. G.P." (gold-plated), and are stamped on the bottom with "CREME" (a possible product line name used by PSCo. Dimensions: 5 ¼" high x 3" (at mouth) See more photos |  |
| Chinoiserie Verre Églomisé mirrored commode, with the motif painted on the reverse side of the glass. The 4 drawers depict an Emperor and Empress garden scene with large flowers and wildlife. The sides, top, and companion mirror also feature reverse painted mirrors with a silver, black, and gold motif. Dimensions: 42" x 35" x 17" (chest), 24" x 36" (mirror) See more photos |  |
| Chinese blue & white porcelain tea caddy, with lid. Freely painted floral design, likely a lotus motif. no chop. Dimensions: 10" x 5 ½" at its widest. Complete with stand (not included in height). See more photos |  |
| Chinese blue & white porcelain plate, hand-designed and inscribed on bottom. Dia. 25 cm. See more photos |  |
| Chinese blue & white ceramic bowls, set of 7, hand-thrown and each individually hand-designed. Approx. Dia. 15-16 cm. each See more photos |  |
| Chinese Song/Yuan Dynasty 13th/14th Century Shipwreck Dish, hand-thrown and hand-designed with overlapping chop pattern. Wax-resist inside. Dia. 16.5 cm. See another photo |  |
| Chinese blue & white porcelain plate, hand-designed and inscribed on bottom. Dia. 29 cm. See more photos |  |
| Chinese blue & white dish, wax resist on interior, hand-designed with calligraphy inside dish. 20 ½ cm. diameter, 3 cm tall. See more photos |  |
| This is a Chinese ceramic pillow, also known as an "opium pillow" or "porcelain pillow". 5" x 6" x 2 ¾" They were believed to have a cooling effect, which was desirable in southern China's hot summers. These headrests were a common piece of paraphernalia in opium dens across China and Southeast Asia in the 19th and early 20th centuries. The pillows were also used to protect elaborate hairstyles while sleeping. For more information See more photos |  |
| An antique hand-thrown stoneware storage jar: Dimensions: 2" (mouth), 5 ½" (ht.) x 5 ½" (at its widest). Its appearance (dark green/black glaze, ovoid body that tapers to a narrow base, with a short neck and broad shoulders featuring stylized dragons as loop handles) strongly supports it to be an antique Martaban jar. These hand-thrown vessels are named after the port of Martaban in Burma (Myanmar), a major transit hub where they were traded, although the jars were made in various kilns in southern China. For more information See more photos |  |
| An antique hand-thrown stoneware "Martaban" storage jar: Dimensions: 4" (mouth), 9" (ht.) x 9 ¾" (at its widest). Its appearance (bronze glaze, ovoid body that tapers to a narrow base, with a short neck and broad shoulders) strongly supports it to be an antique Martaban jar. These hand-thrown vessels are named after the port of Martaban in Burma (Myanmar), a major transit hub where they were traded, although the jars were made in various kilns in southern China. This piece is characterized by a brown glaze and features loop handles located on the shoulder (used to secure a cover with a rope). See more photos |  |
| Chinese Table Lamp with 2 sockets, hand-carved with exquisite detail, 28" high including original lamp shade More photos |  |
| Stoneware sake bottle, salvaged from a shipwreck in SE Asia. "Japans Sakky" blue & white glaze. 6 ½" x 4" From 1641 to 1859 the Dutch were the only ones allowed to trade with Japan. This was only permitted on the isolated island of Deshima near Nagasaki. Both soy & sake were exported. For more information More photos |  |
| Bizen Ceramic Vessel, 8 ¾" x 7" with marking on the bottom. |  |
| Bizen Ceramic Vase, 9" x 5 ½" (at its widest) with marking on the bottom. |  |
| Bizen Ceramic cup, 7¾ cm. x 6½ cm. at mouth, set of 4, with marking on bottom |  |
| Chinese cloisonné ginger jar. Yellow-ground jars, like this one, were historically a symbol of imperial power in China. See more photos |  |
| Antique Spongeware Flow Blue Bowl, in the style of Mouzin Lecat & Cle Nimy Lez-Mons Belgium. No markings. See more photos |  |
An eclectic mix of adventures, photography, and the stories that bind ’em all together.